Henry Louis Mencken (1880-1956) was a journalist very much
of the old school, which is to say, he combined immense erudition with an ease
and facility of language that makes even the most trivial of matters deeply
engaging. The words of Homer, Socrates, and other ancient Greeks meander
through his writing as if just uttered in a casual conversation by a good
friend; Kant appears to make some profound pronouncement from time to time,
while Spinoza jostles with Hobbes to a get a word in. And then there are the literati, the great wordsmiths through
the ages, observing on this and commenting on that, adding their lustre to the
bright light Mencken’s words possess as naturally as a tree has leaves.
They don’t make journalists like that now, and perhaps they
didn’t even make them like that then. He was certainly a rare bird, perhaps
even unique among his kind. In fact, Mencken was really no journalist at all;
he was an observer of the human condition with eyes like laser beams, who just
happened to publish his thoughts in the newspapers.
Time passes and we forget much. Some of the tomfoolery and
chicanery – particularly that of the booboisie, as he styled them - that caught
Mencken’s eye means nothing to us now, yet his writing is so captivating it
retains an immediacy, as if we are reading today’s paper. Others, such as the
Scopes Monkey Trial, are famous in themselves, and will always warrant our
attention. Finally, there are those of his writings which treat of timeless
subjects, his musings on mortality, for instance. These will always speak to
us, so long as we retain our human concerns.
Mencken - life as a belly-aching laugh. |
Like many of those who think more than cursorily about life
and what it’s all about, Mencken thought long and often about death. And he
wrote about it well and often. In the end, he concluded, in all that we do, we
seek to obliterate the awareness that we are. There are times when literary
paradoxes are little more than party tricks, the verisimilitude of profundity
standing in the place of actual profundity. But in this instance – as in so
many others – Mencken was not dealing in cheap prestidigitation; he was merely
speaking the profoundly mundane truth.
In the still hours of the night, we all become aware of our
essential nothingness, a dreadful awareness that assaults the misguided but
persistent sense we all have of our own significance. Fiercely conscious, as I
am, of my Self, I cannot accept this Self is quite literally without meaning. The
Self asserts its own importance, and so we await the dawn, when we can rise and
busy ourselves with myriad trivia, dressed up as matters of much meaning,
so that for a time at least we are no longer aware of pointlessly being. In
other words, by busying ourselves with all we can conjure, we strive to achieve
the same state we will enjoy when we are dead – a state of being in which we
are no longer troubled by the awareness of being, and the fruitlessness of
existence. We are ostriches with our heads buried deep in the existential
sands. It is an unsurpassable irony that our awareness, however subconscious,
of the pointlessness of existence – and all that we do while we exist – leads
us to give meaning to all that we do. It is the means by which we hide from
ourselves what we could not otherwise face. It is, wonderfully, a paradox of
the most sublime truth, the sort of sublime truth that brought a great and knowing smile to Mencken's face.